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Archive for the ‘Audiobooks’ Category

Code Name Verity UK coverAfter reading and re-reading Code Name Verity, and rooting for it in multiple prizes, I simply had to listen to the audiobook. I won’t bother summarizing the plot–if you’ve read it already, you certainly don’t need a rehash, and if you haven’t read it, you need to find a copy, stat (and avoid all spoilers, which means you should stop reading this post now).

So here’s what worked, and didn’t:

  • the tone was just right. Narrators Morven Christie and Lucy Gaskell pulled off the tense balance of fear and nostalgia and black humor. When Julie’s reminiscing about her time in England, I was drawn in completely and forgot all about her dire situation. And during the final raid, I kept fearing for Maddie’s life despite knowing how it all ends.
  • the narrators sounded older than I’d imagined. That jarred me out of the story, but I eventually got used to it, because:
  • they were so brilliant with the languages and accents. How do they do it?! Julie’s French was perfect, and her German sounded impeccable too, though I’m not a reliable judge. Maddie’s terrible French accent rivals Georgia Penn’s cringe-worthy français. Best of all, Julie’s so Scottish–how could von Linden and his minions ever mistake her for being English?
  • Engel’s underlined text: there was no way to convey that in the audiobook, so if someone had listened to it before reading the book, they’d be very confused about the references to the red pen.
  • that sublime passage about Maddie’s flight over the Pennines? It’s even better read aloud than on the page.

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credit: Paul Bransom

credit: Paul Bransom

I love love love BBC radio plays (recently heard Copenhagen by Michael Frayn) and lo and behold: a grand, jubilant, and charming version of The Wind in the Willows, read by British actors and set to the BBC radio orchestra. Fantastic, a new take on an old classic!

Click here for the link. Enjoy!

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The British cover for Dead End in Norvelt (thanks to Fuse #8 for the tip): so much better than ours.

Um, wow. So Dead End in Norvelt got the Newbery! It was, as Jen predicted, a dark horse triumph. And while I’m still sad at the lack of recognition for Sir Gawain, Okay for Now and Amelia Lost, Gantos’ win makes me positively gleeful. We don’t often get laugh-out-loud funny Newbery winners: The Higher Power of Lucky often made me smile, as did The Tale of Despereaux. But I have to go back to Holes (1999) to find one that made me laugh. Norvelt packs enough humor to transform the most reluctant readers into bookworms (the title of this post references one of the more memorable scenes), and that may be the greatest prize of all.

As for the other award winners (full results from today’s ALA Youth Media Awards here), here are some scattered thoughts:

  • This seems to be the year where books won in unexpected categories. After all the Newbery/Caldecott agonizing over Wonderstruck, it was great (and so fitting!) to see it win a Schneider Family Book Award. Same with Drawing from Memorys Sibert Honor and I Want My Hat Back! in the Geisel category. It all seems so obvious in retrospect.
  • Breaking Stalin’s Nose (Newbery Honor book) reminds me of Moon Over Manifest from last year–something totally unexpected, which I’m now quite looking forward to.
  • I’m ecstatic to see the Printz Committee honor The Returning. This is one of those books that reels you in slowly and doesn’t let go, but the slow pacing means it could use an awards-push to generate publicity.
  • Okay for Now got recognition for the audio book. I’ve always wondered about Doug’s voice–I imagine it’s either quite deadpan or darkly sarcastic. Now’s a good time to find out.
  • Kadir Nelson’s Heart and Soul won a well-deserved Coretta Scott King Award, though I’d hoped for Bird in a Box to get an award as well.
  • I haven’t read A Ball for Daisy or Blackout, but Me…Jane and Grandpa Green both deserve as much recognition as they can get.
  • Susan Cooper’s Margaret A. Edwards Award! I feel so lucky to have discovered her books this year (or rather re-discovered after a failed attempt to start the series years ago), and even had the chance to meet her during The Exquisite Conversation.

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Review: Ninth Ward by Jewell Parker Rhodes (Aug 2010)

Twelve-year old Lanesha is special. She sees signs in numbers and rainbows and she can talk to ghosts. Her neighborhood, the Ninth Ward of New Orleans, is full of them—the ghosts of children who died too young, the ghost of her mother in Lanesha’s house. But despite her abilities Lanesha leads a fairly normal life. She fights off bullies and makes friends, she dreams of becoming an engineer, and through it all she’s buoyed by the steady love of her guardian Mama Ya-Ya, the midwife who attended her birth. One day, people begin to whisper about Hurricane Katrina, and soon enough the neighborhood becomes a ghost town as people head for the Superdome or drive off in cars. With nowhere to go and no means of getting there, Lanesha boards up the windows and prepares to ride out the storm with Mama Ya-Ya. It’s hardly the first hurricane they’ve faced. Why should this time be any different?

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Credit: Jake Bellucci, flickr

I’ve been meaning to read Ninth Ward by Jewell Parker Rhodes for months now, and finally got the audiobook from the library.

Wow. The narration is hypnotic. I’ve only listened to the first 30 minutes and may be glued to my ipod for the next few hours. Sisi Aisha Johnson has the perfect voice to narrate this book, set, as the title suggests, in New Orleans’ Ninth Ward. She captures a whole range of voices–old and young, boys and girls, multiple accents–with such warmth I felt like they were walking next to me.

The novel follows Lanesha, a twelve-year-old orphan who lives with her guardian, Mama Ya-Ya, in New Orleans. From what I’ve heard so far, it seems that Lanesha can see ghosts. And according to online synopses, that will play a role later on when she has to survive Hurricane Katrina.

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Just how good is the latest Penderwick book?

Good enough that I’m ignoring its flaws. A big chunk of the book depends on an unbelievable coincidence, and the ending includes unabashed sentimentality—but I didn’t care. They didn’t detract from my enjoyment one bit.

As the story begins, the Penderwick family is being split apart. The parents and baby Ben are vacationing in England; Rosalind will spend two weeks in New Jersey with a friend and the rest of the family is driving to Maine with Aunt Claire. The book follows the Maine contingent as they’re joined by Jeffrey, a melancholy skateboarder and some very musical neighbors. I was sorry to see Rosalind go, but her absence sets up the central premise: namely, that Skye, as the OAP (Oldest Available Penderwick), finds herself in charge of keeping her sisters safe. We’re talking about someone who would rather deal with death by black hole than face crying children, so you can guess how that turns out… (more…)

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Alchemy and Meggy Swann by Karen Cushman: a review

Fie upon London, this great big city of stink and slime. Fie upon its crooked lanes, its thieves and beggars, the cruel taunting children. Fie upon them all!

The year is 1573, and young Meggy Swann has hit rock bottom. Her beloved grandmother is dead. Meggy’s mother, an alehouse keeper with no love for her daughter, sends Meggy to London to live with her father. Meggy’s first meeting with him is hardly encouraging: “I expected a son,” he says coolly, then proceeds to ignore her.

With a father who works around the clock in his alchemy lab, Meggy must navigate the streets of London alone.  At first she is terrified. A birth defect has left her with twisted legs, and she can only walk with the help of sticks. This being the 16th century, most see her condition as a curse from the devil. Adults spit at her in the street; the children cackle and mock. Her only comfort is Louise, a pet goose with crippled wings.

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