…because based on the trailer, I’m terrified. Let us count the reasons:
1. The set design: all that glass and steel makes the movie look like a slick YA blockbuster, a derivative mix of The Hunger Games, Ender’s Game and the Divergent trailer. I’d always pictured the community as white picket fence suburbia, and I know I’m not the only one who expected part of the movie to be filmed in black and white–but everything in the trailer was in full color. They seem to be trying to drum up excitement with hovercrafts! explosions! stormtrooper police and an evil be-wigged Meryl Streep! so there goes any hope of subtlety.
2. There’s a redheaded teenage girl who I presume is Fiona. We see Jonas urging her to stop taking the medicine, to wake up and understand what the Community is missing. Presumably she listens, and at some point we see her kissing Jonas, which is ridiculous. I have no problem with an older Jonas, or even increasing Fiona’s role. But this is not the book to insert Extra Teenage Romance Angst. Save it for something where it would make sense (like Team Human, which is crying out for a campy, melodramatic adaptation). [Note: if I’m wrong, and it’s actually Rosemary, that’s even more messed up. Star-crossed lovers across time, yeesh]
3. The Giver hinges on the Community’s blissful ignorance: there’s no omniscient dictator suppressing his people, no nefarious plot to keep them docile. So why add Meryl Streep spouting clichéd lines about choice and freedom? You may as well replace her with President Snow or icy Kate Winslet from the Divergent trailer. The Community’s dystopia is chilling because it runs on autopilot, because the decision for Sameness was made long ago and no one is capable of understanding what Jonas and the Giver know. In the book, Jonas’ loneliness drives the plot. Make Fiona his sidekick and that tension disappears.
4. The worst possibility: we see Fiona injecting something into her wrist. I hope it’s just the daily injection. But if not, and she’s actually Released, then I have an awful feeling that watching her Release is what pushes Jonas to leave the Community. Compare that to what happens in the book, where he falls apart over the death of a baby he doesn’t even know, killed by his uncomprehending father. That compassion is kind of the point, not romantic angst…
Maybe I’m too pessimistic. Maybe the trailer is misleading us to increase controversy and publicity. But if I’m right, then the filmmakers have alienated a lot of people: those of us who grew up reading and loving The Giver, and others who’ve never read it, and now assume it’s a copycat Hunger Games thriller. Either way, that can’t be good for box office numbers. And worst of all, Lois Lowry will have to say she likes the movie, whether she does or not.
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